ARTWORKS
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Series 1 <<Made in hiding under lane simple taste HK 香城故事>>
Hong Kong, which is being considered as a prosperous cosmopolitan city, which is developing and evolving rapidly, it is not easy to catch up with the pace. In such a busy city, many things have been overlooked, so as the people who need extra attention. Now, those people are being drawn and put on different colours, being featured as extraordinary protagonists, Shooting and interview have been made before the completion of the artworks, in order to make them more realistic and lively.
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Series 2 << Negligence of The Wildlife>>
Using ball pen and expressing the feeling of helpless by the strong contrasting colours, this piece of artwork is drawn to arouse the awareness of wildlife conservation.
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Series 3 <<Ukilour - Seasons - 浮世 四季>>
This is a series of artwork in East meets West style, and each of them represents different stages of love. One of the styles is the Bijinga, which are pictures of beautiful women in Japanese art, especially in woodblock printing of the ukiyo-e genre, which predates photography and is a genre of woodblock prints and paintings that was produced in Japan from the 17th century to the 19th century.
Another style used is the Op art, a style which was popular among western countries in the 20th century, which uses repetition of simple forms and colors to create vibrating effects, moiré patterns, foreground-background confusion, an exaggerated sense of depth, and other visual effects.
The east meets west style and combination of classic and modern has developed a sense of humour, through the chemical reaction of cross cultural communication between people which is presented in this ball pen artwork.
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Series 4 <<Cage - 困戰>>
Living in urbanised countries and cities such as Hong Kong, do we still have time to look up at the sky and how it looks like? What can we see? Tall buildings, electric poles? Blue or gloomy sky? How do you think of the speed of global urbanisation and is it necessary? Will we be able to see the blue sky in the future? Is it a progression or regression?
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Series 5 <<KIDULT - 鞋提>>
Living in urbanised countries and cities such as Hong Kong, do we still have time to look up at the sky and how it looks like? What can we see? Tall buildings, electric poles? Blue or gloomy sky? How do you think of the speed of global urbanisation and is it necessary? Will we be able to see the blue sky in the future? Is it a progression or regression?
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Series 6 <<Between the Lines - 字裡人間>>
Inspired by the saying of a renowned Taiwanese sculptor, Zhu Ming, "Human, the wisest and the most stupid; the kindest and the most evil; the most bitter and the happiest, all depends on how do you think." And my favourite classic novels of Chinese literature, which are "The Classic of Mountains and Seas" (Shan Hai Jing), "Journey to the West", and "The Investiture of the Gods" (Fengshen Yanyi). They are all related to the temporal world.
To simplify and restructure the ball pen colours, and depicts the reflection of the world. The meaning of the three paintings and calligraphies do not have a model answer. Though the artist comprehend it as "a clear and boundless sky" when combining the three of them. She also encourages audience to develop their own thinking and comprehend in other ways.
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Series 7 <<Project - I>>
This is a series that can be said to be very interesting or serious.
There will always be roads to turn on the road of life. At first it will always be afraid that it will be a dead end, but gradually find that the so-called end is just the beginning of another road. In a nutshell, this is a "dream."
If everything can be reversed just like pressing the shortcut button “Ctrl” + “I” in photoshop, what kind of situation would it be? <<Project I>> has come into being like this.
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Series 8 <<Volume>>
At the point of view of most people, “mistakes cannot be amended" and "just a writing tool" are the intrinsic recognition of the ball pen, but I think it is a natural character of the ball pen. It is not only an object or a writing tool, but also an object or a writing tool with a soul.
I took away its inherent image and re-invent it with its own individuality, producing a new vision, making contrasts with different frequencies, and finally constructed “a new world outside the framework” to the ball pen and use concepts as a “counterweight” to the elimination of high technology.
It is ball pen work. The space and dimension for creation are open and boundless. It’s coming towards you and brims over, you can feel you are absorbed, that’s its power and It cannot be replicated.
It comes from the previous artworks “Blood-stained vanity”, “Cage” and “Between the Lines” and to speak in the world’s common language — globalization.
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Series 9 <<Ukilour - Awakening 浮世外傳>>
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Series 10 <<Awakening in the darkness - 無為>>
「不用心智去損害自然之道，不用人為的努力去改變自然。只要達到 『無』 的境界才真正做到誠實自然，返本歸真。」
靈魂有累世，每一生卻只有一次體驗，心態如何體驗每段經歷，是選擇。這次我選擇用開放性思想去理解「人」如何對生活週遭的反應繼而觀共內在，人生的戰衣如何穿脫、演繹是個人的「選擇」。系列只有中心思想，沒有故事或敘事。
覺察人生，順應自然，渡河浮生，上善若水，歸然無為。
由2020年開始學習從閱讀去理解生命生活，轉念去體驗生活，漸漸將前半生創巨痛深的經歷轉變成對後半生痛定思痛的感悟與改變，同時將不同階段的「我」用原子筆創作出”Awakening in the Darkness”分享予地球上每一個人。一筆一線一人一生，是每人都能擁有的原子筆。
誰都值得擁有正直面對自我的勇氣，然後會心微笑。